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Maru Raagini

consort of Maalkons

Maru Raagini, from a Raagmala (Garland of Melodies)
Maru Raagini, from a Raagmala (Garland of Melodies) · c. 1650–80 · Northwestern Mughal South Asia, Rajasthan, Rajput Kingdom of Amber or Southwestern Mughal South Asia, Deccan · Gum tempera, ink, and gold on paper · painting: 26 x 17.6 cm (10 1/4 x 6 15/16 in.) · The Cleveland Museum of Art · clevelandart.org
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About Raag Maru Bihag

Kalyan ThaatVadi GandharSamvadi Nikhad21:00-23:59SpringCompassionate

Raag Maru Bihag is one of the great romances of South Asian classical music — a raag of the second quarter of night, widely regarded as the creation of Ustad Alladiya Khan, founder of the Jaipur-Atrauli gharana. That makes it a rare modern raag that conquered the concert stage: it stands among the most performed raags of our era. It belongs to the Kalyan thaat and blends two worlds — the luminous teevra Ma of Kalyan inside the sweet nocturnal frame of Bihag, with the plain Ma kept only as a rare, delicate touch.

The ascent skips Re and Dha; in descent, Re arrives as a grace slipped in from Sa. Its rass is shringar — love, waiting, the beloved missed through the night. Kesarbai Kerkar carried it from Alladiya Khan's own house to the world, and in Pakistan it belongs above all to Roshan Ara Begum.

The Maalkons family

Maru Raagini · Raagmala · Saarey Music